Archive for September, 2011

3 Types of Guitars – Playing Options For Your Music Tastes

September 21st, 2011

As you likely learned in school, a guitar falls into the classification of a string instrument because it produces its sound through the vibrations of taut strings that are either plucked or strummed.

There are three different types of guitars: electric, acoustic and classical.

Classical Guitar

Also known as the “Spanish guitar,” the classical guitar is the most commonly available and purchased guitar today. It has a hollow body and six nylon or – less frequently – steel stings. The sound is produced by the vibrations of the strings reverberating and being resonated through a built-in hole in the body.

Because classical guitars generally have stings made of nylon rather than steel, they tend to be easier to pluck/strum than other guitars, and can be played using your fingers rather than a pick. Classical guitars are also typically used without amplifiers and can play Latin, Flamenco and classical music.

Acoustic Guitar

An acoustic guitar is visibly similar to a classical guitar; likewise, similarly to a classical guitar, an acoustic guitar is normally played without the use of amplifiers. Acoustic guitars use steel strings – because of this, the neck and body are typically made of heavier woods to withstand the tension from the tightness of the strings.

The steel strings used on acoustic guitars tend to bring a louder, crisper, brighter sound than the nylon strings of a classical guitar. As a result, they are generally used to create tons of folk, country and blues music – as well as certain genres of rock and roll.

Electric Guitar

Electric guitars are often similar in appearance to acoustic guitars – but they really don’t need to be. This is because electronic pickup is used to convert the sounds made by vibrating guitar strings into an electric current.

After this conversion, the signals are electronically altered to produce specific sounds before being fed to the amps. Because the sound of an electric guitar depends on electronic currents, the body of the guitar and the materials in which it is made can vary significantly.

An electric guitar uses steel strings, convenient for virtually any kind of music imaginable – from rock to country, and pop to jazz.

In general, acoustic and classical guitars are primarily used as accompaniment instruments, because (unlike electric guitars that are almost always accompanied with amplifiers) they are not loud enough to “compete with” other instruments.

However, some modern acoustic guitars have built-in electronics intended to amplify sound, which may then allow them to be focal rather than accompanying instruments.

Crosspicking on the Acoustic Guitar in Bluegrass and Old-Time Music

September 10th, 2011

Crosspicking is a technique in which the flatpick is used to pick a
group of strings in a pattern that repeats. Typically, three
pitches are played repeatedly against a four-pulse rhythm so there
is a continual shifting of the pitches and of the accented pulse.
The result is something similar to a banjo roll, with notes seeming
to come from everywhere. Micky Cochran put it like this: “Crosspicking bombards the listener with a
barrage of notes. As is similar to bluegrass banjo, crosspicking
guitar doesn’t seem to pause for a breather. A continuous
succession of notes pours forth establishing the melody while
filling in all of the spaces with harmony notes. Not only does the
guitar support itself, with spaces filled harmonically, but
crosspicking technique works effectively for supporting other lead
instruments and vocals.”

George Shuffler, who spent 18 years as a member of the Stanley
Brothers in the 1950′s and 1960′s, is said to be the pioneer of
crosspicking. The crosspicking technique has been mastered by guitarists like Doc
Watson, Clarence White, Dan Crary, Norman Blake and Tony Rice.

Crosspicking can be used with two open strings against a single
string upon which you are playing melody notes on the frets. You can
throw a crosspicking pattern in here and there, mixing it in with
your other flatpicking techniques.

Let’s try a crosspicking exercise. We’ll use all open strings for
this, the D, G and B strings. For the strokes, I’ll represent the down strokes (the pick motions away from your face) with the letter “d” and the upstrokes (the pick motions toward your
face) with the letter “u.” George Shuffler crosspicks with a
pattern of two down strokes followed by one upstroke. Pick each
individual string in this repetitive pattern:

DGB DGB DGB DGB DGB DGB DGB DGB DGB

Play the D string with a down stroke, the G string with a down
stroke, and the B string with an up stroke, like this:

ddu ddu ddu ddu ddu ddu ddu ddu ddu

But remember, crosspicking is a pattern of three pitches played
repeatedly against a four-pulse rhythm, so in common time (4 beats
to the measure, each quarter note receiving one beat), the pattern
would look this when each string picked is a quarter note with four
quarter notes per measure:

DGBD – GBDG – BDGB – DGBD – GBDG – BDGB – DGBG

The picking pattern would be:

ddud – dudd – uddu – ddud – dudd – uddu – ddud

Now let’s try something that will probably be a bit challenging. I
learned this from one of Steve Kaufman’s instructional videos.
Crosspick the repeated pattern of DGB, but instead of using the
typical “ddu” stroking, play with alternating up and down strokes,
just like if you were picking out a fiddle tune. So, although you
are playing the repeated pattern of the three strings, your stroke
pattern is: